We are excited to reveal to our readers an exclusive excerpt from Ani Keating’s Thirty Nights
About Thirty Nights
American Beauty, Book 1
After her parents’ tragic deaths, Elisa Snow wanted nothing more than to escape her past. Eighteen and alone, she fled her quaint English village and moved to the United States. A starving science student by day and an artist’s muse by night, Elisa has slowly built a new life. She never dreamed she would lose everything again.
She’s one week from graduation when her visa is unexpectedly denied. Given thirty days to leave the country, she must face the one thing she cannot survive again—saying goodbye and leaving her home. Yet within minutes of her world shattering, she meets a man with the power to piece it back together.
After finishing his tour of duty in Iraq, Aiden Hale traded battlefields for boardrooms, becoming one of the most successful venture capitalists in the nation. But all his wealth can’t buy him reprieve from the horrific memories of war. The only thing that gives him peace is a painting of Elisa.
Drawn together by their invisible wounds, they begin a passionate affair as they race against the clock to defy their pasts—and fight for their future.
Earlier versions of this book were posted on the author’s blog under the titles of The Master’s Muse and 30 Nights of Snow, using the pen name Ani Surnois, and has since been extensively edited.
EXCERPT 3: AIDEN’S HOME
Suddenly, I know we have entered his domain the way we know spring has arrived. With a feeling in our blood, right before ice starts to melt. The pressure of the altitude muffles my ears until all I hear is my own heartbeat. There are no houses around anymore, only dense evergreens and sky. Aiden takes a sharp left and comes to a stop before a modern iron gate. He slides his palm over a pad in a stainless steel monitor. The gates open.
I expect to see a house, but no. An endless hide-and-seek driveway undulates before us, framed by tall oaks and cedars. On the right, in a green clearing, is a paved, smooth circle. It takes a few blinks to realize it’s a helipad.
At last, as though part of nature, a stately house materializes among the trees. Except, the word house is too artificial. This is almost an extension of the primordial forest. Everything about it, from the red cedar wood panels to the charcoal slate, the gray riverbed rocks and the airy spatial windows, is organic. The modern minimalist lines curve around nature rather than bending nature to their will.
Aiden chuckles next to me, and I close my gaping mouth. “It’s beautiful here,” I say.
“It’s getting better.” He smiles, and gets out of the car to open my door. The moment I’m out, he takes my hand again and presses his lips to my hair. I lean into him, sniffing his Aiden scent surreptitiously. I should figure out a way to bottle this.
At the double front doors, he slides his palm over another pad. The doors open into a cream-and-slate foyer. The moment we step inside, lights brighten almost imperceptibly. I blink once and everything is back to normal. Hmm, maybe I imagined it.
Aiden leads me by my waist to a palatial living room. As we cross the threshold, the lights brighten and dim again, blinking fast. I turn to ask him, but he shakes his head. I tuck this away as a world perched between earth and sky surrounds me.
Straight ahead, Mount Hood is almost touchable. Refracting sunrays are my only clue that a back wall separates us, made entirely of glass. I blink, recalling Denton’s lecture on glass optical qualities. This must be the highest—nearly invisible.
Everything from the open-flame riverbed rock fireplace to the barstools in a kitchen the size of Feign Art is bespoke and chic. All light gray and cream, except the chestnut wooden floor and the oversized salvaged oak coffee table. Colors of rivers and forests. Abstract, understated art, none of it my paintings. There is something peaceful about the stunning natural décor.
Yet my first thought is…not loneliness. The controlled minimalism is too intentional for that. Isolation. That’s what it is. I look for signs of the inner Aiden. There are some books stacked on the coffee table. The Brothers Karamazov—one of my favorites, Byron’s Poems, The Things They Carried. Redemption, passion, guilt, war. And poetry. Aiden Hale has soul.
My eyes drift to a shiny black piano, tucked by the glass wall. My breath catches a little at the sight. Not because it’s a rare Bösendorfer. But because on it, is the most astonishing arrangement of flowers I have ever seen. They’re not in a vase—they’re in a low crystal terrarium, like a secret garden. I walk to it in a trance, sensing Aiden’s body heat behind me.
And there, rising over green moss, is a single bloom of probably every flower genus they sell in Portland. Hyacinth, orchid, gardenia, peony, amaryllis, calla lily, rose…
“I didn’t know which one was your favorite.” Aiden’s warm breath tickles my cheek. It’s just air—his air—but my knees start wobbling. He pulls me against his front, his lips fluttering over my jawline to my ear.
“So?” he whispers.
“Favorite flower?” He kisses the soft spot behind my ear. I shiver.
He chuckles and pulls away. “Maybe it’s too soon to combine thinking with kissing.”
I flush the color of the amaryllis.“Roses,” I breathe.
He raises an eyebrow. “Roses?” There is a hint of humor in his voice.
“What’s wrong with roses?”
“Nothing. It’s just such a common choice for such an uncommon woman.”
About Ani Keating
Ani Keating is an attorney, daughter, sister, and wife, living in the City of Roses, Oregon. When she is not in court or at the office helping clients sort through legal issues (and complaining about the photocopy machine), Ani explores her childhood passion for writing. Her first novel, Thirty Nights, is a sexy and heart-tugging story about love’s power to save and guide us even at our darkest moments.